I talked about this back in May, but I’ve sometimes go out and play around with different generative AI products just to see what they can do. I never share what I “make,” and I never even mention what I’m using because I don’t want to be seen as promoting this stuff. My attitude generally has been that I believe the current way that AI companies scrape content from real artists and writers is unethical, but that the underlying technology could be used ethically if the tech bros running these companies had any respect for artists, writers, or any other creative human endeavour.
Genuinely my emotional response to the AI companies throughout this has been mild frustration and annoyance. Like here’s fascinating tech we could be using for something interesting, and instead we’re ripping off creative people and making some of the most soulless images and “writing” I’ve ever seen. I’m rolling my eyes and shaking my head for the most part.
That is not my response to AI music.
A couple of days ago I decided to try out an AI music product, since I’d never really dived into that end of the pool. So I messed around, made some funny songs (like I may have a pop punk song about the 1998 failed TV pilot Blade Squad on my computer right now because of it). I even used it to remix some of my old original work that not even I care about. Ever wanted to hear an orchestral metal version of my old Happy Wednesday song Dead Birds? That’s a thing on my harddrive now. I uploaded the Stormwood theme I wrote back in 2019 and added in the lyrics I wrote for it but never recorded too. But the more I thought about it, the angrier I got. Like, really, really angry.
Like shouting in my truck as I drove home from the store angry.
The creation of music is a fundamental, human thing. I don’t think most people know this about me, but I once had aspirations to be a professional singer. Like my pragmatic brain kicked in when I was, like, eighteen — but the passion that made me want that never went away. There’s a reason I’ve put out my own terrible music on and off over the years, and miss being in a band. Music moves me in a fundamental, human way, and I don’t think that’s an uncommon experience. The right modulation at the right time in a song scratches a very specific itch in my brain. The human voice alone pulls at strings in me I don’t know how to describe.
Music is different than a lot of other creative stuff to me. The writing of something as a creative act is, y’know, important — but I also know I can write a better novel than ChatGPT can churn out. But once the text is down, it’s done. Music is different. Music is written, but every performance is a work of art on its own. Music is alive. Music is living. Every cover of a song brings different soul, different heart. If I, say, listen to Golden from the soundtrack recording of K-Pop Demon Hunters Ejae’s performance moves me… but not as much as her live performance on Fallon, even if it was in a lower key. When I listen to anything by Within Temptation, Sharon den Adel’s voice just hits me like a freight train in the best way. Singing like that is a full body, physical thing that I think most of us can feel connected to.
So when I hear a simulacrum clearly trained on den Adel “sing” anything back to me, I just get filled with rage.
I don’t hate most music production tools. Autotune doesn’t bother me — it’s just another instrument, and a human performance underlies it. Samples don’t bother me, because that feels like an act of composition (and a human made those choices). There is no human connection to this “music” though. There was no soul put in by an artist. No human touch to the composition. No producer sat there fiddling with settings until it punched just right.
This is just hollow and monstrous.
We haven’t even touched on the environmental impact of datacenters, or the fact that the economics of this whole industry seems like a bubble driven by a shell game that could plunge our economy into chaos. I don’t think I was truly radicalized against generative AI until experiencing this. The people who made this product don’t give a shit about music, it’s just another product to them. Another thing they can monetize while they destroy the world.
And so now I’m angry.
Uhhh, I have a book coming out and I need to promote it here. So, I guess you should pre-order Buried Memories, the fourth book in my contemporary fantasy series the Mia Graves Saga, out December 15th 2025. That transition wasn’t awkward at all, I don’t know what you’re talking about.
The last few months have been busy ones for me. Between August and September, I was at four different in person conventions, recorded an entire season of The Meatgrinder in a cabin in the woods, presented at the virtual event CritWitchCon, a bunch of other stuff I can’t mention, and, of course, went to my grandmother’s memorial. Also in the mix I started a new medication, and kept up with my creative projects (like getting Buried Memories across the finish line).
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