The Bizarre Feeling of Finishing a Work

by on November 26, 2019 at 1:53 pm
Posted In: Blog

Yesterday I finished the final comic of UnCONventional. It won’t go online until next week (I was working ahead), but it’s… it’s done? It’s done.

And it’s the weirdest feeling.

I’ve never finished something like this before. I mean, I’ve ended projects, I’ve stopped updating things… but I’ve never intentionally finished a project of this scope. I planned this ending three years ago, and I actually DID it. I hate to repeat myself this much, but, it just so, so strange.

UnCONventional was ten years of my life. It was a massive undertaking, and I don’t think there’s anything I’ve ever done in my life to this scale. It’s kind of frightening to finish what’s been the most popular story I’ve ever told — and there is a temptation to keep it going just because of that — but I know it’s time.

These characters and their lives have been taking up space in my head for so long that I’m really going to miss them. Since these epilogues have been covering the next five to ten years of the character’s lives, I’m answering all the questions I’d normally have about what they’re doing next. It’s really a massive goodbye.

A goodbye to people who only live in our collective imaginations.

On the other hand, it’s really freeing not to be locked into the structure of a comic that’s taking place in real time. I’m working on a new thing, and the one thing I’m making sure I do is not tie it to the real world’s calendar. There are so many stories I rushed through in UnCONventional because I needed to jump to keep up with the actual changes of the year. This time around I’m not going to do that. And… while I said I was saying goodbye to everyone earlier, there may be a couple of characters I’m not done dedicating brainspace to.

(The super-secret project won’t start until spring 2020, but I’ll announce what it is on December 6th.)

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Find Me At UWEC Geek Con This Weekend!

by on November 20, 2019 at 5:44 pm
Posted In: Blog



So this weekend I’m hitting a local convention — UWEC Geek Con in Eau Claire, WI. It’s held at the University of Wisconsin-Eau Claire’s Davies Center from 10am-5pm this Saturday, November 23rd.

I have a table there for Nerd & Tie (and not my comics), and I’ll be sitting there all day to hang out, answer questions about our shows, and just all around have fun. Also, if you find me in person, I’ll tell you about the super-secret-project comic I’m working on after UnCONventional ends in December.

The event is free to students, $5 to the public, or free with a donation of a two non-perishables. I honestly love small, college cons more than anything else (heck, that’s what No Brand Con started as), and UWEC Geek Con is a great time. If you’re in the Eau Claire area you should make sure you come on down.

Because it’s going to be awesome.

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What Happens After UnCONventional

by on November 6, 2019 at 3:38 am
Posted In: Blog

So UnCONventional is wrapping up in a month, and a ten year long story is coming to a close. It’s such a weird thing, but I thought I’d talk about what comes next.

For those of you who don’t recall, I actually announced Chapter 10 would be the final one over three years ago (though I didn’t expect to put Crosarth on hiatus back then).

I didn’t want to just keep repeating myself over and over again, and there are so many stories I want to tell that don’t fit with the premise. I’m not done with comics, but I know that this story is a finished one. A lot of webcomics just sputter off and kind of… stop. UnCONventional has an ending.

But I guess you’re asking (assuming you care) what I’m doing next.

First off, The Chronicles of Crosarth will resume mid-2020 and finish out the final volume. I have to do a lot of editing to Volume Three for its print edition first. I honestly just keep finding typos in the online versions of pages — and the fact that I was rushing them is why the comic went on hiatus in the first place. I want to finish that story right too.

Secondly I’m working on a new comic in the same art style as UnCONventional. Right now I’m developing the main cast and setting, and I hope to launch it in early 2020 as well. It’s an idea I had a couple of years ago, and a couple of familiar faces will pop up in it (my Patreon supporters know one already). The full announcement will come at the end of UnCONventional, but the mystery project will 100% be set in the Room 825/Full Circle/UnCONventional universe.

(Like five people might remember those first two entries.)

I know it’s risky to end my most popular creation, but let’s face it — if I didn’t I’d just be doing something uninspired and meaningless. It will be a completed work that I can be proud of, and it’s hard to ask for more.

And if you really want my storytelling in the meantime… check out my rpg actual play podcast I guess?

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So Otaku World Expo Looks Like a Disaster Waiting to Happen

by on October 28, 2019 at 2:53 pm
Posted In: Blog

So Otaku World Expo is a first year con that looks like a disaster waiting to happen in every single way. Like even if Vic Mignogna wasn’t being invited, and the official twitter wasn’t tagging in known jackasses to promote it.


First off, let’s talk about their website. It is, as the kids say, “terrible.”

This isn’t 2004 anymore, and when I see a site like this it means one thing: they aren’t paying attention to the small details. If a con’s not putting effort into their first point of contact, what else are they dropping the ball on? I mean, look, first year cons having terrible websites isn’t super uncommon — but this is at a level that’s really only still acceptable if your con is a free con being run at a high school. Or like a free con at a university.

I mean, “free” or “less than $10” entry is what this site screams. And if that were the case, I’d be more forgiving.

Spoiler: This con costs a lot more money to attend.

You read that right — $40 for a one day pass, and $70 for a two day pass. Those are the preregistration prices. For a first year con. For contrast, prereg for a 4 day badge at Anime Expo is $85. A 3 day badge for Acen, prereg, is $63-$80 depending when you do it.

Those were big cons. Medium sized cons like Daisho Con or Anime Milwaukee charge $50 for a three day badge. But hell, SMALL anime cons, like No Brand Con, charge $30 for a three day badge at prereg. $40 at the door.

And make no mistake — these guys will be lucky to hit AMKE’s numbers.

Cons are plentiful on the west coast. Even if no one else ends up on that weekend, there are other places for attendees to spend their money.

As in, spend less money for more con. Cons that are likely to be run better.

And finally, the one thing that I always find concerning is when a convention doesn’t tell you who the hell is running it. There’s no owner listed. No parent organization. Nothing.

“Otaku World Expo” is not the name of a corporation or LLC legally operating in California. So either it’s owned by a company with a different name (which is fine but it should be listed), or is being run by an individual. If it’s the latter, it’s just hilarious. Like if a con is run by an individual it should still LIST THAT PERSON’S NAME. The first rule to first year cons is never trust an event that doesn’t tell you who is in charge.

But if the con is just being run by some guy, it also means the con owner is personally liable. Like if someone sues. Or, which is way more likely, if the con tanks and can’t pay the bills

Even if people show up, first year cons often lose money. And they’re relying on people still caring about Vic Mignogna a year from now. Like this is going to make Wine Country Comic Con’s numbers look good.

(If you don’t know about WCCC, google it — and they failed with Vic as a guest BEFORE any victims came forward)

The first rule to starting a con is always be prepared to lose every penny you put into it the first year. Some cons get lucky, most don’t. And if the prices are this high? Dude is not prepared for how much this might cost them even if people DO show up.

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The Problem With (Some) Con Runners

by on October 18, 2019 at 11:15 pm
Posted In: Blog

There is an ongoing problem in the con running community, and it’s the instinct to avoid any sort of public turbulence. Reactions to the Vic-pocalypse have driven this home, but it was this instinct that allowed a missing stair like him to stay for so long in the first place.

And I get it. Con staff’s are scared to piss off people. Most don’t have the money for lawyers and legal fees if someone were to sue, so they don’t speak up. But if your primary responsibility is keeping attendees safe, sweeping things under the rug is never helpful.

The first time I heard about Vic Mignogna was at Anime Milwaukee 2010. It wasn’t anything remotely close to his worst accusations — a friend felt uncomfortable with comments Mignogna made, he hugged another friend without her consent — but combined with the rumors out there, we chose to quietly blacklist him from the con we all worked for (NoBrandCon).

It wasn’t much, but it was what we could do.

But it’s not just the sexual predators (of which there are a number still floating around the con scene), but other screw ups made by staffs. Sometimes its poor planning, sometimes its money mismanagement, sometimes it’s something malicious — I’ve seen all of these things happen in the twenty three years I’ve been staffing cons. And for most of them, things always get hidden away. There are show promoters who would run a failed event, then quietly move towns and start a new one under a different name… attendees none the wiser.

Which is why we started reporting on stuff at Nerd & Tie. We wanted a record of this stuff to be at least semipermanent beyond the ephemeral social media posts that get lost to time. People and cons need to be held accountable. Have we been perfect? No. Have we published some “hot takes” which were kinda terrible? Yes. But we’ve strived to be accurate, and overall I think our record is pretty good.

(That said, please contribute to our legal fund – http://gofund.me/nerdandtie )

But the reaction from some of the con staffers out there has been… not great? I mean, yeah — I don’t expect people we’ve written negative pieces about to be big fans of mine. But even some con staffers in the world at large who I’ve never written about have taken shots at me. One guy who works for Anime Milwaukee, COAF, Naka-kon, and Kumoricon has literally called me a “blight” on the community.

He’s the reason I’m skipping AMKE this year.

And it’s ridiculous. Like a different guy who runs a bunch of cons has complained that I’m just dragging up “drama” and it’s just nonsense. I’m writing down the stuff hardly anyone was willing to do so for years. There are others out there with me (like File770 has been doing this forever), but we’re all small operations. This isn’t “drama,” this the community we’re stewards of.

Guys like Mr. “Blight” think that we’re being over nitpicky reporting on stuff like Tokyo in Tulsa, but when a con severely mismanages a situation, it should be remembered. People should know that Person A did a bad thing that time. It’s important.

Screw ups need to be documented and remembered. And it’s not to say people should never forgive cons for their mistakes, but that forgiveness should be an INFORMED forgiveness. It’s the only chance we have at getting better.

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